Custom Logo Mini Multi-Functional Combination Tool

A stencil is made for each colour, then ink is pressed through it onto the product. The ink sits on the surface as a solid layer, so colours stay bright and consistent across a whole run, and the cost per piece drops quickly as quantities rise.

The design is printed directly onto the surface and hardened under ultraviolet light as it goes down. It holds fine detail, gradients and photographic artwork without a separate screen for each colour, and can be layered to leave a slightly raised, textured finish.

The artwork is printed onto a thin transfer film, then pressed onto the product. The film follows the shape underneath, so it reaches curves, ridges and small round surfaces that a flat printer cannot.

A focused laser removes a thin layer of the surface and reveals the material underneath. There is no ink, so nothing can peel, scratch off or fade. On stainless steel it reads as a soft grey; on wood and leather it burns darker than the surface around it.

A die made for your logo presses it into the material. Debossing pushes the shape down, embossing raises it up. There is no ink at all, so the branding is felt more than it is seen, which is why it suits leather goods and heavier paper stock.

Your artwork is printed onto a transfer sheet, then pressed onto the garment with heat and pressure so it bonds to the fibres. Because the design is printed first, it carries full colour, gradients and fine detail that screen printing cannot reach, and it works just as well for small runs as for large ones.

A heated die presses reflective metallic foil onto the surface, leaving a clean, solid mark with a mirror sheen. It catches the light as the piece moves, which is why it is usually kept for the logo alone rather than large areas of artwork.